Heavy Rain at the Farawell Port
This is a story about sorrow and rain, written as a diary entry by a beloved character called Artheneus, the travelling bard and historian.
Once, I met a creature made out
of something like sorrow.
She was one of the mothfolk, a
rare vision to have nowadays, as they tend to live in their villages,
secluded in the woodland mountains of Miranescqe. But, this one,
Irlyneal was her name, Irly for friends, was standing among the wet
crowd of the Farawell port amidst the pouring rain.
She
wore heavy boots and a long, dark green raincoat. As the days went by
and we became friends, I noticed a silent beauty in Irly's face. Her
shiny, big, brown pupils against the black sclera of her eyes gave
the brownish shades of her skin a more pale look, contrasting with
the orange freckles on her cheeks and neck, that would glow when she
smiled, although the thin, black, and small lips were often pouting.
Her gray and brown hair was short, straight.
The first
day I watched from afar, sitting by the window of my favourite bar in
that port. For the time being, my days were spent people-watching,
one of my late aunt's favourite activities, which I ended up being
quite fond of.
And, of course, every single day, the
green-cloaked figure with big boots appeared at the same time.
Each
day, my curiosity grew more and more. Was that creature waiting for
someone, for sure, but didn't they know how to read the time and
date?
Nowadays, ships don't delay; we have the Lines of
Zaeis. Nautical travel is safe, punctual... Unless the boat that
creature was waiting for would not be coming through one of the
Lines. Unless that creature was waiting not for a traveller, but for
something anew.
The day I realized the nature of that
waiting was the day I introduced myself to Irlyneal.
Long
brown eyelashes framing those dark pools called eyes turned to me, a
bit of blush on her cheeks from the cold rain, creating a backdrop of
ruddiness for those orange-lighted freckles in her round face; she
was a bit smaller than me, maybe younger, maybe older. It was hard to
tell; the wise eyes offered me nothing but a sad life.
She
opened her mouth in a silky smile, showing me very thin fangs.
"Can
I help you, sir?" The first time I heard Irly's voice, it
embraced me into a soft and smooth hug, as the cosy blankets my
mother used to wrap me with when I would complain about the cold as a
child.
It wasn't that her voice was magic, no, the
mothfolk were never known for magical tones.
It was that
Irly was something else entirely. A creature born not for this world,
but for a world of wonder, of soft breezes under the buttery sun, oh,
warm hugs under fluffy blankets, of gentle grasses on a stunning
meadow.
It wasn't just that her beauty was astonishing; it
was that Irly's soul was written by a god in love with all the
delicacies of life, an old god that never felt fear, never felt
anger, sadness, or despair. Irlyneal was carved out of the same
materials the immortals used to create peace and tranquillity, nicety
and ease.
"Forgive me, darling, don't you want to
come out of the pouring rain?"
"Oh!" She
giggled, "That's so nice of you. But I don't mind the rain, you
see, where I come from, we don't get this excellent of weather
often."
"Well, in this case, mind if I stay here
with you?"
"Of course not," She turned her
face to look again at the ocean. "It's not often that people
speak to me."
"It's because of the eyes?" I
asked. She nodded. "I think that those are the dumbos of the
world, then."
With another soft giggle, she spoke her
name out loud and asked mine. The answer to all my prayers, a godsend
word that could grasp my body and turn me into mush.
"Why
do you act like this?" Irly asked in those first moments of
friendship, as I casually placed myself by her side. In my lack of
answer, she read my confusion. "I know you've seen me before.
Why do you wish to know me now? The curiosity about what I am got the
best of you?"
"Sorry that I made you feel that
way, Irly." In her simple words, I could tell the annoyance. It
was a fact that the mothfolk weren't common, so in my imagination, it
was easy to see people coming to marvel at her, not in a spirit of
friendship, but in a way to gasp at the unknown. "It wasn't the
curiosity of what you are, but what you wait for."
"I
wait for nothing." Simply said.
Later, I realized she
lied.
But,
at that moment, she didn't need, or want, an answer to that
statement. And in my heart, I felt that my silent company was an
acceptable response.
I had time to just exist, and Irly had
time to just not wait.
A month or so went by, the hours
mixing into days, the days mixing into weeks, and the weeks mixing
into bits of conversations, of tales of travels, of laughter and
friendship.
The day I could take Irly out of the port and
into the bar, she narrated to me her saga.
In a
village of nice homes
Lived a family cut out of the same
cloth
Daddy, mommy, and two little moths
In the rose
garden, they even had a few gnomes.
Every night before
bed, the hugs would be made out of four.
But one day, Daddy and
Mommy wouldn't look at each other anymore
As sometimes the
adult moths do.
So the nightly hugs became smaller, a little bit
blue.
As time went on, the older sister left to study
abroad,
In the home, it became just a little moth, her mommy,
and a frog
The family hugs were no more.
Then, disease
struck the land, and it left only one in the family of four.
Without
anywhere else to go, the moth reminded herself of her
father.
Where could he be? She asked around, and no one would
tell.
That's when she realized, for daddy dearest, everything
was very well.
What could she do? She thought for a while; she
didn't want to be a bother.
Daddy had a new family, as far
as she could see.
New mommy, new home, new son,
Which
meant all sorrow in the land of one
Without a place for her to
fit. Without a place for her to be.
She smiled to be
included, tried, tried, and tried.
But, in the new family of
three,
It could not fit, not a moth, not even one single
bee.
Every night she frowned, cried, cried, and cried.
As
the only person in this world who had to care for her heart
Could
never again create art.
And as the new family of three embarked
for the oceans.
The lonely moth could do nothing but solely care
for her emotions.
For the lonely moth, there was nothing
but a family of one.
As Irly finished her story, her
eyes drowned with old tears. Tears, I could tell she swore to never
cry again. She told me everything, making sure I knew that her memory
was a lost story. Sometimes she would remember, sometimes she would
forget.
The mistake in this story, was mine, to assume
Irly was looking at the ocean, waiting for someone to return. In a
way, she was. She would deny, she would laugh, and ask, "Who do
you think I am waiting for?"
And I could not answer,
but the hidden sorrow in her voice could tell me she was waiting for
that one moth who could never again be.
After a few months
in her company, learning about her travels, about how she arrived in
that rainy ocean town, that maybe, someday, I will write about. I
left, asking her to accompany me. Irly denied it, for after her long
journey, the port was her home now. A figure in the mist lost forever
in her own memories.
That's my story, in Farawell Port, my story about the mothfolk. My story about sorrow.
To this day, I've never come back, too
afraid to see her there, too afraid not to see. Where could she be?
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